Unique To Dream BIG




The Investigative Research of Supreme Court Justice

Amy Coney Barrett’s Philosophical Pabulum  




Predicated on questions Senators should have asked; I guess due diligence is a thing of the past, and or the solicitation, not in the capacity of a Solicitor General, but nonetheless, seeking determinate answers of unrequited judicial and political potential malfeasance by a recent addition to the Supreme Court, potentially undermining self-same said trust thereof. 


When?  Where?  Why?  Whom?  Substantiating evidence as Exhibits.   


We the people of the court, The Case, in this case against Supreme Court Judge Amy Coney Barrett, find said jurist negligent and charged as such, for her libelous Originalist/Texturalist legal philosophy that she implements for the application and practice of her juris prudence. 


As such; I, Thomas Fuller, representing those with a citizenry vested interest, has set forth a jury trial (trial of my peers), for the purpose and as such to serve as the Jurors, at which and until such time; I, Thomas Fuller, the aggrieved, has sworn himself to be Judge and Jury. 


The Case, set out to prove beyond a reasonable doubt; with Exhibits to include her spoken words, recorded legal opinions and political connections, based upon the entity(s) that invested in television time to advertise to the public and Senators on behalf of the President’s selection and nomination. 


Why???? Would any organization spend money to back Amy Coney Barrett without a vested interest?  Why would a capitalist make an investment without seeking a return?  We invest in political campaigns because we expect a return; whether for moral or immoral reasons.   Ethics must be higher for the judicial system.   


What is her return?  My guess?   I’d say by adopting and accepting advertising her/their (vested party(s) in her nomination) legal philosophy of Originalism/Texturalism, advertising it at here hearing so that it is/become normalized and commonplace as a jurist practice. 


I don’t buy what she/they are selling and as an aggrieved citizen,  I must counter such. 


When and where did Amy Coney Barrett adapt or adopt such legal philosophy and from whom? It is definitely not a happenstance from her epistemology legal inquiry.  I’m willing to bet it’s not a self-inflicted wound. 


There is nothing about her and her education and practitioner as a legal scholar or jurist, that provide; as a capitalist would say, “proof of concept.”   


My research is to prove my point that Amy Coney Barrett is not a legal scholar or jurist with a record/trail that shows she’s a legal linguist with originality.  I will definitely define her as a case law manager; whereas, she has memory and knowledge about legal cases. 


Thus, I extrapolate that someone sold her on the idea, and with the premise that she’ll be in a better professional advancement position for postulating such pabulum.  Surprisingly, her dream came true. 


My nightmare; Amy Coney Barrett, looked into my eyes through the television screen and told me, and the world is my witness, that I am not a man, per judicial philosophy of Originalist/Texturalist. 


To concentrate on just one aspect of the Constitution, to her I said, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness—“ 


The only thing missing was for her to say……  “Ladies and gentlemen of the court, can you believe this “nigger” is challenging my philosophy.  The Constitution wasn’t written for you.”  True and exactly point. 


Adherence to your legal and binding philosophy, Amy Coney Barrett, as an Originalist/Texturalist  jurist means, I, as the progeny of a slave during the time period in question, did not apply to people of my race.  Can I ask whether it applies to me today?  If yes, then why then and not now? 


Mind you, as a highly, but questionable educated jurist, I know biologically, there is no such thing as race, but for the sake of clarity of concerns and positions, we can agree that your Originalist/Texturalist interpretation of the Constitution in its original construct did not apply to me at that time? 


Created is the origin.  Creation represents the origin, the birth and some religious people consider Creationism a religious belief that presupposes that Nature originated through a supernatural entity. 


Did the legal hegemony of the Constitution, validated at the time of its inception with words like, created and men; and as a Texturalist, the words represented and applied to those other than, slaves and or those of that diaspora. 


Boy, why didn’t they have the right to vote like the other men?   


Then why on God’s green earth would you even consider telling me to my face, when and or if I come before your court; you a “nonpartisan” judge with apply the laws as originally constructed in the Constitution to my case today, in the year twenty-twenty? 


Are you that miseducated and or misguided to know that espousing and applying such a philosophy as your juris prudence detrimentally effects and affects us all as citizens of the U.S.A.? 


Not only that, but as an avowed Christian (not mixing Church and State), I’d like to know if you take the Bible in its original construct?  Do you love your neighbors? 


Point being, you do not understand law.  Law is not the words, law is not the interpretation of the words; law, is the intent.  Murder as a law is not defined by words, but intent and intent sets the precedent, not by definition and or words.  Murder today has many other variables of and for intent. 


The intent of the Constitution is for it to serve as the foundation of and for the creative reinforcement of the structural integrity of the United States of America.  It’s an unchanging foundation and that doesn’t mean just because the undergirding doesn’t change, the building also doesn’t change.   


It is therefore, my assumption that you have been brainwashed, politically compromised and or beholden to advertise and adhere to a legal philosophy that makes you malfeasant, and the warranting of moving beyond this preliminary legal inquiry to a full-blown case:  THE CASE. 


Fait accompli 

An originalist looks at words of the Constitution in their original context to determine original meaning and a textualist looks at the words of the Constitution and ask the question; why? 


To provide an example of what an Originalist/Texturalist; especially a legal scholar, would do:  Notice, the use of the word “juxtapose” above by the Prosecutor, when a word like “contrast” would be a better substitute and fit, if differences are the major emphasis.   


A jurist at the highest level who doesn’t or can’t clarify their individual philosophy in order to inoculate and indemnify themselves through the process of validating his/her defining legal epistemology, does no one any good, including him/herself. 


So I’m building, The Case; I’ll provide more examples into being an Originalist/Texturalist, by providing you the public, insight into how I came about determining the foundation of my juris prudence. Easy work for a legal scholar, difficult work for a lost one. 


Now, I’ll provide you with my definition of juxtapose and explain why that word was used instead of “contrast.”  Juxtapose meaning: - to make a comparative analysis to discover and or discern the applicable differences related to emphasized similarities. 


Similarities bond in chemical compounding; it’s the chemistry of their beings.  Thus, you start from strength.  It is the natural order of things.  In the relationship of water, does the hydrogen argue with the oxygen and say, “I’m putting in more than you?” 


No, because they both know that as one, they’re better than as separated ones.    This is kids level understanding, so what do you think when a legal scholar can’t or doesn’t expound on the theoretical philosophy upon which she builds her practical case decisions? 


The question then becomes, can we defy natural order (Patternology – you already know that’s a progeny of this pedagogy) and still expect to win.  Yes, we can expect anything we want.  Reality doesn’t speak in English, American or Hindu, it speaks in the revelation of truth; the good and the bad. 


Believe you me, it’s going to be a good.  The Case!  The book about the Supreme Court Associate Justice, living in the age of a pandemic, undresses her mind to how we should view her as a jurist with Originalist/Texturalist as fait accompli.   


Man, she to me her juris prudence represents a wealth of entertainment, from music to literature to video/movie.  The first Justice who is portrayed of and for the beauty of her mind; a brilliant one at that, but couldn’t decide on seeing the trees or the forest.   


That’s unreal.  Indecisive, but sure about what she’s been sold; I mean, told.  (Gavel knock, knock, knock) Order in the court!  Judge, as a concerned educator, may I approach the bench??? 


Thank you Your Honor, if a good story doesn’t excite you…………… 




 Can you define your Infiniteness of One Theorem in simple terms, because it seems illogical?


Let’s start with a few irrefutable facts as I deem them: 

1. All matter, material and immaterial life can be represented as patterns of frequency vibrations.

2. The faster the vibrations, the less the vibration.

3. One is the only true value mathematical number, because all others are a resultant of one.

4. The most important numeric pattern is the one from zero to one.

5. One in Nature is a three component composition of energy, frequency, mass

6. Everything is energy and energy is one, the only true theorem (meaning, one is a representation of reality codified as a numerical value) and even it isn’t a factual representation; as, nothing is one in reality and nature.


In Nature, I have defined one as a three component compositional entity of energy, frequency and mass represented as the symbol of one. This is the truest fact of everything; nothing in life is one, because one is an abstract theoretical mathematical concept of Applied Logical Construct to represent reality.


One is one because it is a composition of parts and to deduce a thing to get to one as a singularity, you’d have to get to infinity, because one is everything and everything is one – The Infiniteness of One Theorem.


In the physics of Quantum Mechanics, this would be classified as the “spectral gap,” the point of getting from zero (ground state) to one (the first/lowest energy state). For the sake of simplicity, I will say zero is the state of material dormancy, like bears hibernating. It is dead, but alive. Yes, illogical.


To deliver illogic, even some matter is classified as gapless. The scientific conclusion is, it’s impossible to determine if all materials are gap or gapless. The application of logic to Nature isn’t science, because Nature isn’t logical, it is; logic is a man-made construct. Bees fly – illogical, ships float – illogical. Light cuts steel – illogical.


Humans apply logic as it’s the best and highest intellectual ability to make “sense” and   “sanity “of life. Perhaps, were we smarter, we’d be on another/higher dimensional plane or another planet?


For simplification, I deduced everything down to being defined by a single word – patterns. Patterns are representation of energy and everything can be defined by motion, even that which appears motionless. Yes, even the motionless has motion. That’s illogical you say? Well, you’re beginning to see the light.


Speaking of light, it represents the fastest patterns and in one instance it’s patterned as a beam and in another, it’s patterned as a wave. Well, I agree that’s illogical. The faster the vibration, the less it vibrates.  Illogical, but as an example, an idling Harley Davidson vibrates more than when it’s at highway cruising speeds.


Vibration frequency is the foundation of all material and immaterial life of motion. Matter or material in its ground state (zero) energy level and when the energy of heat is applied to said matter/material, the heat causes the atoms to emit light or glow. Think red hot.


The heated material provides “gap patterns” in the form of light emitted in various frequencies/speeds (think in terms of crawl, walk, jog, run) due to and because of the different energy levels of the heated atoms in the material composition.


This act of getting from a material’s ground state (zero) to its first energy state (one), provides the critical analysis for the mathematics of quantum mechanics, called the spectral gap.


Given that “one” is a material’s first or lowest energy state, think of one being a crawl, two a walk, three a jog and four a run. Each gap represents a different frequency/speed and provides the basis for gap patterns. This is merely used to provide an understanding that the spectral gap is/can be one plus frequency multiples/exponents of one.


I need to return to Germany: Meines Deutsch sind sehr schlecht und Buchstabieren auch, aber Kennen Sie David Hilbert? He greatly influenced mathematics and is credited with the spectral theory or functional analysis.


Quantum phase transitioning of going from zero to one can happen even when a material composition is kept at an extremely low temperature. The zero phase of a material just means, material dormancy (my definition). I postulate that both states (zero and one) must exist for the material to exist; and to apply the energy of heat only causes the duality of its master pattern (zero state) to exist simultaneously with the active pattern (one state).


Think in terms of electricity. There is a stator (unmoving master pattern) and a rotator (moving active pattern). This duality is necessary for electricity, as well as an atom. When calm waters change into rushing ebbs and flows, waves are created when/where the two energy forces of ebbs and flows meet.


Three component Composition of Energy (time), Frequency (motion) and Mass (material/matter) and in its zero state, the master pattern of the material/matter at which point it maintains its mass (ice). Apply the energy of heat and that causes the frequency and mass of ice to change to water and further heating changes water to the lesser mass of steam.


The theoretical physics spectral gap concept of getting from zero to one means, it is fundamental to the understanding of quantum phases. I say, two phases (inert or not) or patterns; one moving and one unmoving, with the unmoving/stator pattern the master pattern and the moving/rotator pattern(s) the stasis or phase change pattern(s).


Energy, frequency and mass are one, the same and everything: without energy you can’t have frequency or mass, and without frequency you can’t have energy or mass, and without mass you reach a point of infiniteness or the unification of everything as 1. Everything's a patterned compositional construct to comprise one.


To describe this phenomenon, I created a three part composition equation to simply describe my Infiniteness of One Theorem:

1 = (1+1) -:- 2. One person equals (one part female + one part male) divided by two parents. Examples of factors, multiples, and divisors: positive-negative, stator-rotator, gap-gapless, space-time, egg white-yolk, ebb-flow.


Hilbert conceived of what is known as the “Entscheidungs Problem” or decision problem. Entschuldigung, aber Das Problem is auch uber meines Deutsch, so schlecht (Kann ich erzähl eine gute Witz, bischen Spass Machen?)


Alan Turing, the Englishman most famous for breaking the German Enigma code during WWII; but it was his 1937 paper “On Computable Numbers and the Application to the Entscheidungsproblem, but also known for the influence of Gödel’s now known as Incomplete Theorems, on his work.


The point is; Hilbert and his spectral theory and Endentscheidungsproblem, Godel and his Incompleteness Theorems, and Turing, as founder of the field of modern computer science and his Computer Science of Undecideability; the human measure of mind leads us to indefinable incompleteness.


The invisible transmission of data through the air in the form of digital communication, do you consider that logical? Think ESP, quantum teleportation, interstellar travel and thought teleportation, are they logical?


The application of logic to an illogical apparatus means we’re operating at a disadvantage. Language (alphabet) and mathematics (numbers) aren’t logical, they’re pattern-based symbolic systems used to represent our sense, codification, understanding and comprehension of Nature and life. Time is logical to humanity, not Nature; where time is energy.


To determine the veracity and or validation of something in the natural science/physics realm through our application of logic, means you don’t understand Nature isn’t logical or illogical, it simply is, and as such, will leave you and science in a place of Schrödinger's cat, like the hibernating bear that’s dead, but alive.


Religion speaks of God and logic says HE is impossible. So my approach to religion, science and life I titled: The Possibility of the Impossible. It was impossible to define everything by a single word, until I did and created an entire pedagogy based upon that single word of Patterns.  Something never been accomplished!



  INTERVIEW:  Mike Kara Media Group        http://mikekara.com/

A formal transcript of some of the basic areas covered for the simplified version presented to radio listeners and the music presented. Please direct questions, concerns, comments to: 407 334 6218, Thomas Fuller

The Drumatization of Education


Using the music and dance to teach STEM (Science, Technology, Engineering, Mathematics). This pedagogy is about practicum-based learning, the primary focus is on fun, so consider the idea of “Druma Drama,” as it nicely fits into The Drumatization of Education. 


Druma Drama, is my dramatic themed series of Vibration Frequency Drumming. Music and dance serve as the basis of culture and this is no difference. 


Since we build from simplicity, we start with the drum. Why? The drum, I determined, is the best instrument invented, of all instruments, scientific or otherwise, that best represents the basis of this entire pedagogy.   


Pursuant to this mission, it's not only the best, but also one of the least expensive tools on which I could research and provide more validation of it as a theorem through empirical evidence. 


The research eventually grows into a mental development that is transformed into a physical form - a musical progeny in the form of recordings.  


For starters, the drum and speaker are of similar constructs, as they both are resonators with a vibrating membrane to create sound through the reflection of vibration frequency sound waves.   


There is a big difference between a theory and a theorem and that distinction will be self-evident based upon the fact, this is a practicum-based theorem, a practicum-based pedagogy.  Do-Learning! 


Vibration Frequency Drumming Research: 1 drum + 1 note / 2 hands = The Infiniteness of One Theorem. The simplicity of one transforming itself into the complexity of infiniteness; one drum, one note.  


I call myself a “druma” because I’m not worthy to call myself a, drummer. This is all about:  


Druma Drama and how one and everything comes from one and I’m going to use a single drum that plays a single note. Its inherent nature is vibration frequency and through the force of energy, energy is created as sound. 


This means hitting the drum’s head causes vibration frequency within the skin/material, and while it’s vibrating, I add more vibration, through hitting the head in frequency patterns.  


If my theorem is correct, I should be able to create/imitate sounds (vibration frequency) wave within human sound spectrum.  


Remember, one goes into any and all numbers (frequencies), and therefore, in theory, with the correct compounding of vibration frequencies, I should be able to imitate/create any sound within the vibration frequency range of sound audible to human hearing.  


This means through proper vibration frequency compounding, I should in theory, make this single note instrument imitate any sound using this single note; limited only by equipment and human capability.  


Let me show you what “um” working with. The drum, the one note simpleton; one drum communicates in one syllable; as other instruments are multisyllabic.  


One note is every note and one note is all notes; and therefore, I will be able to create any and all notes from one, because the distinguishing difference is not the vibration, but the frequency.  


Through the application of the, “Addition Through Divisional Subtraction” upon which the Infiniteness of One Theorem is based, I should be able to provide proof of concept.  


Knowledge reveals the drum is dumb. I take it to my patterns-based pedagogy school and teach it to be more than a one note, one syllable, one trick pony.   


If imitation is the sincerest form of flattery, then I taught the dumb drum that, imagination is the sincerest form of flattery.   Be you, but be new, and that’s when this one note specialist came alive.  


I told the dummy, I going to try and teach you to imitate human speech; you monkey; as this is your highest calling. First, I taught it to stutter and secondly, I taught it to stutter in patterns and finally, I taught it to stutter in imitations of human speech. This is Level Three, the dumb drum’s highest calling.  


I taught it to imitate other musical instruments, and on the lowest level, I taught it to be a single drum one note soloist and an accompanist instrument lead.  


From a single note stutterer, I implemented patterns to turn it into a multi-syllabic vibration frequency communicator. It is the compounding of vibrations using specific pattern techniques to create “Frequency Variables” to be voiced from this one note dummy.  


Long story short, I’ve discovered and taught myself and the drum to mimic human speech on a few occasions; of which, a few of them I was fortunate enough to get them recorded before they disappeared back into the ether. 


Uniquely, I play the drum like a piano, guitar, drum set, saxophone, etc This is called, “Chordal Drumming” the techniques-based system of drumming through the application of hand-strokes, shapes, positions, patterns and beatings to create drum head vibrations revealed as sounds.  


Chordal is not a word, but it is in this pedagogy. Chordal Drumming is a technical style of drumming founded upon the physics of vibration frequencies, the mathematics of exponentials, the neuro-sensory (feedback) application of hearing-feelings and the biomechanics (responsive) application of anatomical kinetic energy; called, Neurophonic Audio Music. 


The pedagogy has a two-track learning system, where first track is educational and the second track is commercial/cultural related. Neurophonic Audio is the educational track and The JaHazz Sound is the commercial/cultural track. 


For dance, track one or the educational track is, Vibrational Frequency Dancing and track two or commercial/cultural track is, JaHazzing Dancing.  

Neurophonic Audio is best described as: Sound frequencies patterned for non-invasive neurotransmission brainwave stimulation. (SAMPLE VIDEO @      www.ununun.org: Listening through head phones is the most effective method and means.)

What you will discover using headphones? It’s like teaching the brain to hold two opposing thoughts at once and in this pedagogy, this ability is named: Ambineurodexterity. 

Ambineurodexterity  means, the practicum application of ambidextrous sensory sensation stimulus inputs for neurological translation and transformation into corresponding psychological or physiological output). The purpose is to generate greater cognitive ability for learning comprehension. 


The JaHazz Sound is best described as: An orchestra of sound patterns harmonized to elicit physical movements related to the beat feelings.  


Vibrational Frequency Dancing – The application of the kinetic energy to speak in the communicative language of motion to teach STEM. 


JaHazzing Dancing – The commercial/cultural translation for the purpose of cultural relevancy. 



I Got Got:  An example of a Neurophonic Sound commercial track (listen with headphones)


World Identity Theft:  A song in which you will hear the drum speak a few words


Mon You Mental: Hear Chordal Druming as the drum is played like a rhythm guitar


Highpy (High on Happy): A JaHazz Sound example


Love Book: This is a JaHazz Sound love song example


Dirteen: A young relative learning to talk said thirteen and I heard dirteen and this song title was born as a JaHazz Sound


I stated, it is not readily apparent or conceptualize; but it happened through research osmosis.

The Neurological Sound Research Thesis (NSRT) started it and serves as the foundation of the music named: Neurophonic Audio (education track) and The JaHazz Sound (commercial track). Of which the scientific research premise of their creation is presented below (see The Science).

The resultant dance is designated for curricular studies as: A performance art and science-based language, communicated through motion movement expressions, in a dialect called: JaHazzing Dancing.

Today, as a researcher for NuNique Institute Knowledge Engineering; an intellectual property-based nonprofit school for inventive types, is the officially copyright owners and as such, all rights and privileges apply.   

The research is being presented to the public by its creator, Thomas Fuller. The goal of which is to have his music and dance styles be taught to the public, and a local dance studio and the internet are the first initial testing grounds.


What is The JaHazz Sound?  

A genre/style of music that’s the result of scientific research by Thomas Fuller for NuNique Institute Knowledge Engineering, an intellectual property-based school.


The science:

For the sake of simplicity and understanding, imagine the waxing and waning of ocean waves as signals and you’re standing perpendicular; as these two different input frequencies (waves) integrate in and out of phase. The result is the constant increasing and decreasing differences (think surfing) creating an amplitude-modulated standing wave.


This fluctuating rhythm at the frequency of the difference between the two auditory inputs creates a neurological third beat. Visualize, the ocean wave rushing out from shore (waxing) is met by a wave rushing in to shore (waning) and at the meeting point the two waves grow to create that third action. This is the wave surfers surf, that third beat.


Scientifically, when two different frequencies signals are presented; one to each ear, they cause the brain to detect differences in the phase between the signals. A detected phased difference under normal and natural circumstances would provide directional insight.


Neurologically, The Neurophonic Audio causes the brain to process the signals differently, and to effectively experience this third beat. It is this imaginary “third beat” upon which JaHazzing Dancing is based.


In listening to Neurophonic Audio or The JaHazz Sound, the perceptual integration of the two signals taking place causes the brain to actually produce the psycho-sensory awareness of a third “beat” frequency. Thus, it is based upon 5 dimensions of sound or 5D music.


Due to and because of the fact, the entire pedagogy is theorem-based and has its own sine wave, JaHazzing Dancing; likewise, is based upon the 5 dimensions (5D) of sound and so named:

                        JaHazzebu, or ZeBu. . 

                        JaHazzomo, or ZoMo.  

                         JaHazzume, or ZuMe.

                         JaHazzigo, or ZiGo.

                         JaHazzaqu, or ZaQu   


5 Dimension Sound         Diagram/Sine wave below 

Time: first dimension of Motion 

Wave: second dimension of State 

Phase, core dimension of Vibration 

Axis, fourth dimension of Frequency 

Degree, fifth dimension of Point 

Known as; Knowledge Engineering Pedagogy, it teaches the

   5 Dimensions (5D) of music and dance:

Education Music Track 1 (The Neurophonic Sound) and 

Commercial Music Track 2 (The JaHazz Sound)

Education Dance Track 1 (Vibration Frequency Dancing) and Commercial Dance Track 2 (JaHazzing Dancing)


 Stay tuned:  The Future of Now; Coming to ears near you.

NuNique Institute Knowledge Engineering 

   Director: Thomas Fuller

The magnificence of GOD  in a human form of personality and character, expressed in the uniqueness of self and exhibited as an infinite creative force of goodness, IS  projected through the works of intelligent acts and expressions related to education and knowledge, but most of all LOVE



 Below:  Numeric Logarithmic Patterns

(Note: these are actual numbers at microscopic level of a patterns-based curriculum test)


T-SHIRT; Free with $25 donation. Those that know; know and those who don't, better recognize our unIQue logo.


FundaMENTAL:   The Infiniteness of One Theorem

EngageMENTAL  :  The Entrepreneurship of Education


ExperiMENTAL:  Jack of all trades; Master of ONE


DevelopMENTAL  :  Unique To Dream BIG




What is Chordal Drumming? Chordal Drumming is vibration frequency (VF) drumming and all drumming is vibration frequency drumming. What makes Chordal Drumming unique? 


Imagine a drum set.  Imagine one drum that can be played to produce the robust low VF of the bass drum and the medium VF of the other drums and the high VF of the cymbal.  This is the drumming part. 


A standard piano has 88 keys or vibration frequencies or notes and the notes (VF) are play individually or in combinations of notes (VF), musically called; chords.  Now imagine that single drum being played with individual notes (VF) and or chords (VF), like a piano. Drum and piano are in same instrument family. 


Yes, I know.  I’ve stretched your imagination.  That’s why you need to see the first public presentation of a drum played like a piano and translated into integrating it into popular music- The JaHazz Sound.  


Chordal is not a word and was created as an educational concept and is a progeny of the Knowledge Engineering Pedagogy (KEP), for which vibration frequency serves as its foundation and employed as an application for teaching STEM (science, technology, engineering, mathematics) subjects. 


Chordal Drumming is a technical style of drumming founded upon the physics of vibration frequencies,  the mathematics of exponentials, the neuro-sensory (feedback) application of hearing-feelings and the biomechanics (responsive) application of anatomical kinetic energy; called, Neurophonic Music. 


Through the exponential multiplication of vibration frequencies, a  com”pound”ing soud is produced.  The effects of which, impresses upon the auditory nerves the imagination of feeling-hearing vibration frequencies from the multiplicity of one. 


Chordal Drumming is a techniques-based system of drumming through the application of hand-strokes, shapes, positions, patterns and beatings to create drum head vibrations revealed as sounds.   


A techniques and technical manuscript has been written, but the books haven’t been published yet.  There’s also, Vibration Frequency Dancing, a product of the pedagogy and the drumming. 


How is a movie related to the Knowledge Engineering Pedagogy?  Life produces motion, motion produces sound, sound produces light, light produces picture.  Motion.  Sound.  Picture.  Motion makes sound and picture possible. 


Motion (hands), sound (heart), picture(brain-imagination).  Hands-Heart-Brain and Motion-Sound-Picture are the two triumvirate of the pattern-based educational structure of KE Pedagogy. 


Are you going to be able to say, “I was there when he presented it to the public for the first time?” 


I’ve even taught it to speak a few words.   I’ll do it live, but not at the party.  At the party, you’ll be provided a drumming introduction and you don’t want to , like, meet someone for the first time and say hello and start to totally undress and say, this is who I am, showing everything on the first date. 


Become an InvestMental Donor today - Link




On the curricular level, as an aspect of the pedagogy:  


SOUNDMOTION (music):  The body is in a motion with the instrument of sound  (you sound motion through emotion).


MOTIONSOUND (dance):  The body is in a motion as the instrument of sound  (you motion sound through emotion).  


The Knowledge Engineering practicum-based learning is procedurally engaged through a 5 Dimensions application process of alternating current in the form of a stator and rotator.  The concept is the same as generating electricity, with changing and unchanging elements. 


The 5 Dimensions of Sound.  The 5 Dimensions of Dance.  Physics has defined Nature as having 4 dimensions.   The concept is based on the physics of vibration.   

ExperiMental Proof:  A stretched rubber band that’s been plucked will vigorously vibrate and the faster is vibrates, the more it moves toward a horizontal plane of motion and the slower it vibrates, the more it moves toward vertical plane of motion. 


A Harley Davidson motorcycle running at idle speed vibrates with a defined shake, but riding at a higher speed, it vibrates with a less defined shake.  Thus, we can scientifically surmise, the faster the vibration, the smoother the vibration and the slower the vibration, the more pronounced the vibration. 


In Nature, the slower the vibration, the easier for the eye to see; the faster the vibration, the more difficult for the eye to see.  This means, the invisible matter is vibrating too fast for the naked eye to see.  The motorcycle is still vibrating at the higher speed, but the human sensor perceptions aren’t as acute. 


Given this concept, the 5th Dimension is God or Spirit; which means, invisibility.  Invisibility cancels out all the other 4 dimensions.  God vibrates as such a frequency that it’s humanly and scientifically undetectable and is faster than light.  The Periodic Table is a “human” table of detectable elements and their vibration frequencies.   


5D Sound & 5D Dance or also known as, the 5th Dimension of Sound and 5th Dimension of Dance.  Everything has a place, an order and fits perfectly within the entire pedagogy, as everything is a progeny.  I’m the Master of ONE.  Totally new, totally different. 


GUARANTEE: The only one.  The best one.  Learning you can get from nowhere else! 


 Become an InvestMental Donor today - Link


Video above is 
1 drum & 2 hands,
no dubbing
Chordal Drumming 

The JaHazz Sound    


Five Dimensions (5D) Patterns-based Music (click)




Mike Kara Media Group 




   Production Info